‘We Viewed Every Opportunity to Film in Person as a Fleeting Gift’ | Paula Eiselt, ‘Aftershock’

Filmmaker Magazine — The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them.

Previous
Previous

2022 Sundance Review: ‘Aftershock’ Explores the Maternal Health Crisis Facing Black Women

Next
Next

Black Women's Stories Are Center Stage At Sundance 2022